* SOUND ENGINEER PROVIDED BY PURCHASER
Sound Rider for 7pc group
HOUSE SOUND:
The model, size, amount and placement is contingent on the size and acoustic properties of the Venue.
A 24 channel FOH console is required. There will be a proper number of power amps, processors, graphic equalizers and other related equipment as required by these same factors. The mixing console must be of professional quality, with a minimum of 24 low impedance microphone inputs. A professional quality Digital Reverb, DDL and Compressors are also required. Please see our most current stage plot and input list for details. The console and related gear must be located in the house (seating section) of the venue. The system should be in phase and free from audible distortion, hum, buzz and related grounding issues as determined by the ARTIST'S representative.
MICROPHONES:
PURCHASER further agrees to provide, at PURCHASER'S sole cost and expense, microphones and all necessary cabling and harnesses to complete the system. In addition, Two (2) traditional round base/stright mic stands (star vocals), Fifteen (20) standard size microphone stands with booms, Four (4) short microphone stands with booms and Five (5) active instrument direct boxes are required.
Shure microphones preferred or professional touring quality microphones only.
Star vocal mic requirements (x2 of any listed here): Electro-Voice R15/16, Electro-Voice CS-15 E, AKG D-224
MONITORS:
PURCHASER further agrees to provide at least a minimum of 7 separate monitor mixes. This console must be placed directly off stage left on the sound wing.
The stage monitor speaker system must be one drum fill (15" with 2" horn minimum, capable of handling all drums, instruments and vocals), eight (8) slant type monitors, in a 2 way bi-amp configuration. There will also be one graphic equalizer and processor for each of the mixes. Each of the monitor sends must be powered by a separate 200 watt minimum power amp. All monitors must be able to be placed anywhere on stage.
PURCHASER shall have all PA & monitor systems up and running prior to ARTIST'S arrival. PURCHASER agrees to remedy any deficiencies or variations as determined by the ARTIST hereunder or ARTIST'S appointed representative. PURCHASER agrees that there shall be no alterations or variations from the sound system to be provided hereunder without the prior written approval of the ARTIST and/or ARTIST’S appointed representative.
STAGING:
Per Stage Plot Provided
Sound Rider for 10+pc group
HOUSE SOUND:
The model, size, amount and placement is contingent on the size and acoustic properties of the Venue.
A 32 channel FOH console is required. There will be a proper number of power amps, processors, graphic equalizers and other related equipment as required by these same factors. The mixing console must be of professional quality, with a minimum of 32 low impedance microphone inputs. A professional quality Digital Reverb, DDL and Compressors are also required. Please see our most current stage plot and input list for details. The console and related gear must be located in the house (seating section) of the venue. The system should be in phase and free from audible distortion, hum, buzz and related grounding issues as determined by the ARTIST’S representative.
MICROPHONES:
PURCHASER further agrees to provide, at PURCHASER’S sole cost and expense, microphones and all necessary cabling and harnesses to complete the system. In addition, Fifteen (20) standard size microphone stands with booms, Four (4) short microphone stands with booms and Five (5) active instrument direct boxes are required.
Shure microphones preferred or Professional touring quality microphones only.
Star vocal mic requirements (x2 of any listed here): Electro-Voice R15/16, Electro-Voice CS-15 E, AKG D-224
MONITORS:
PURCHASER further agrees to provide at least a minimum of 10 separate monitor mixes. This console must be placed directly off stage left on the sound wing.
The stage monitor speaker system must be one drum fill (15’ with 2" horn minimum, capable of handling all drums, instruments and vocals), Ten (10) slant type monitors, in a 2 way bi-amp configuration. There will also be one graphic equalizer and processor for each of the mixes. Each of the monitor sends must be powered by a separate 200 watt minimum power amp. All monitors must be able to be placed anywhere on stage.
PURCHASER shall have all PA & monitor systems up and running prior to ARTIST'S arrival. PURCHASER agrees to remedy any deficiencies or variations as determined by the ARTIST hereunder or ARTIST’S appointed representative. PURCHASER agrees that there shall be no alterations or variations from the sound system to be provided hereunder without the prior written approval of the ARTIST and/or ARTIST’S appointed representative.
STAGING:
Per Stage Plot Provided
Sound Rider for 7pc group
HOUSE SOUND:
The model, size, amount and placement is contingent on the size and acoustic properties of the Venue.
A 24 channel FOH console is required. There will be a proper number of power amps, processors, graphic equalizers and other related equipment as required by these same factors. The mixing console must be of professional quality, with a minimum of 24 low impedance microphone inputs. A professional quality Digital Reverb, DDL and Compressors are also required. Please see our most current stage plot and input list for details. The console and related gear must be located in the house (seating section) of the venue. The system should be in phase and free from audible distortion, hum, buzz and related grounding issues as determined by the ARTIST'S representative.
MICROPHONES:
PURCHASER further agrees to provide, at PURCHASER'S sole cost and expense, microphones and all necessary cabling and harnesses to complete the system. In addition, Two (2) traditional round base/stright mic stands (star vocals), Fifteen (20) standard size microphone stands with booms, Four (4) short microphone stands with booms and Five (5) active instrument direct boxes are required.
Shure microphones preferred or professional touring quality microphones only.
Star vocal mic requirements (x2 of any listed here): Electro-Voice R15/16, Electro-Voice CS-15 E, AKG D-224
MONITORS:
PURCHASER further agrees to provide at least a minimum of 7 separate monitor mixes. This console must be placed directly off stage left on the sound wing.
The stage monitor speaker system must be one drum fill (15" with 2" horn minimum, capable of handling all drums, instruments and vocals), eight (8) slant type monitors, in a 2 way bi-amp configuration. There will also be one graphic equalizer and processor for each of the mixes. Each of the monitor sends must be powered by a separate 200 watt minimum power amp. All monitors must be able to be placed anywhere on stage.
PURCHASER shall have all PA & monitor systems up and running prior to ARTIST'S arrival. PURCHASER agrees to remedy any deficiencies or variations as determined by the ARTIST hereunder or ARTIST'S appointed representative. PURCHASER agrees that there shall be no alterations or variations from the sound system to be provided hereunder without the prior written approval of the ARTIST and/or ARTIST’S appointed representative.
STAGING:
Per Stage Plot Provided
Sound Rider for 10+pc group
HOUSE SOUND:
The model, size, amount and placement is contingent on the size and acoustic properties of the Venue.
A 32 channel FOH console is required. There will be a proper number of power amps, processors, graphic equalizers and other related equipment as required by these same factors. The mixing console must be of professional quality, with a minimum of 32 low impedance microphone inputs. A professional quality Digital Reverb, DDL and Compressors are also required. Please see our most current stage plot and input list for details. The console and related gear must be located in the house (seating section) of the venue. The system should be in phase and free from audible distortion, hum, buzz and related grounding issues as determined by the ARTIST’S representative.
MICROPHONES:
PURCHASER further agrees to provide, at PURCHASER’S sole cost and expense, microphones and all necessary cabling and harnesses to complete the system. In addition, Fifteen (20) standard size microphone stands with booms, Four (4) short microphone stands with booms and Five (5) active instrument direct boxes are required.
Shure microphones preferred or Professional touring quality microphones only.
Star vocal mic requirements (x2 of any listed here): Electro-Voice R15/16, Electro-Voice CS-15 E, AKG D-224
MONITORS:
PURCHASER further agrees to provide at least a minimum of 10 separate monitor mixes. This console must be placed directly off stage left on the sound wing.
The stage monitor speaker system must be one drum fill (15’ with 2" horn minimum, capable of handling all drums, instruments and vocals), Ten (10) slant type monitors, in a 2 way bi-amp configuration. There will also be one graphic equalizer and processor for each of the mixes. Each of the monitor sends must be powered by a separate 200 watt minimum power amp. All monitors must be able to be placed anywhere on stage.
PURCHASER shall have all PA & monitor systems up and running prior to ARTIST'S arrival. PURCHASER agrees to remedy any deficiencies or variations as determined by the ARTIST hereunder or ARTIST’S appointed representative. PURCHASER agrees that there shall be no alterations or variations from the sound system to be provided hereunder without the prior written approval of the ARTIST and/or ARTIST’S appointed representative.
STAGING:
Per Stage Plot Provided